© 2011 Idaho Press-Tribune
BOISE — Stuck in the ‘80s and lovin’ it.
This is Shakespeare like you’ve never seen it before and like only our friends at the Idaho Shakespeare Festival can deliver it … with zeal, side-splitting humor, sensitive emotion and incredible physicality.
Director Tracy Young made her ISF debut last weekend when the festival premiered its month-long run of William Shakespeare’s comedy classic “Taming of the Shrew.”
Young promised surprises and she and the talented ensemble certainly delivered. She blends together familiar pop tunes, some outrageously colorful costumes, and an equally eye-popping set. References to Olivia Newton John’s “Let’s Get Physical,” a sassy Robert Palmer number to the tune “Simply Unbelievable,” complete with those iconic background singers in skin-tight black dresses, are only a couple of the ‘80s references weaved into this show.
Katherina and Bianca are the two daughters of wealthy merchant, Baptista. But, Katherina has a shrewish disposition and her father is determined that Bianca will not be wed until her older sister is.
While suitors scheme and scam for the affections of Bianca, Petruchio of Verona pays a visit to his friend Horensio (one of Bianca’s suitors). He is intrigued by Katherina’s large dowry and is determined to woo her.
What ensues is a comical delight.
Petruchio, played with zeal by Jim Lichtscheidl, stuns everyone by saying he finds Katherina charming and pleasant. A marriage is arranged and Petruchio sets out to tame Katherina through a series of increasingly worse tricks.
Petruchio achieves his goal and eventually tames Katherina ... or does he? When Bianca and Lucentio are wed Petruchio wagers that his wife is the most obedient and Katherina lectures her sister on how to be a good and loving wife.
As always, Shakespeare’s complex characters leave the audience wondering.
ISF veteran actress Sara M. Bruner portrays “The Shrew” Katherina magnificently. She rants and raves, flings herself about and provides the play’s most poignant and thought-provoking dialogue in a superb performance.
The talented ensemble also includes Reggie Gowland as Lucentio, a suitor to Bianca; Neil Brookshire, who is brilliant in his role in ISF’s current run of “Cabaret,” plays Biondello the servant to Lucentio who masquerades as a tutor and suitor to Bianca; the always delightful Eduardo Placer as Horensio, another suitor to Bianca; Laura Perrotta, the rich widow who winds up with Horensio; Kjertsine Rose Anderson as the lovely but shallow Bianca; John Woodson as Batista Minola, a rich citizen of Padua and father to Bianca and Katherina; and Richard Klautsch in the role of Vincentio, father of Lucentio.